There’s a sense of early nineties camp horror anarchy about writer director Andrew Feld’s debut feature – KILLER KATE! Walking the tightrope between extreme graphic violence and insane comic brutality he manages to navigate both with relative aplomb.

Asian Horror cinema as a genre had long been well regarded by the international cinephile audience but it was Director Hideo Nakata’s RINGU (1998) that flicked some kind of switch and caught the attention of the movie-going public at large.

Mathew Bolton’s THE PARANORMAL INCIDENT (2011) snuck its way onto the big, and probably much smaller screen, in the wake of PARANORMAL ACTIVITY to…well…less acclaim. But is it really a lesser film?

FINAL GIRL has most, if not all, of the greatest hits of modern slasher cinema we the eager viewer could ever wish for, oh, and a very fetching red ensemble on lead actress, Abigail Breslin.

If it’s a slow burn cabin-in-the-woods genre grind you fancy DEAD MARY (2007), directed by Robert Wilson (Haunted Case Files), might be for you. 

Sweaty vests, dirt, a gutsy young women trapped in the oppressive darkness? Sounds a lot like a horror movie and in turn a lot like BENEATH.

So much has been said about the vampire mock doc WHAT WE DO IN THE SHADOWS (2014) that pretty much any ink I spill in on the page will probably go largely unnoticed. But I’ll have a stab anyway. 

Bloody, bawdy and funny, THE NIGHT WATCHMEN (2017) directed by Mitchell Altieri (April Fool’s Day, the remake) feels like someone decided to make a Horror Pizza and just couldn’t stop himself from adding another topping. As long as it was red.

If you fancy a bit of Horror with a touch of the rural psycho-thriller you could do worse than Luke Shanahan’s RABBIT (2017).

Ready for a super scary October? What better way to watch all of the free Movies & TV on W4FREE than on an iPad? And you could win one in our HALLOWEEN HORRORS Competition!